We also studied every little detail of the documentary to find out the exact conditions for how the photos were made. Our starting reference were the photos taken by Steve McCurry on the quite-famous last roll of Kodachrome project. “ It should also be based on science, not just trying to look like the real thing during very special conditions. “The goal was to create a recipe that both looked and behaved like Kodachrome 64,” Anders wrote. It’s a humble privilege for me to share with all of you this Recipe that Anders and John co-created. He was an extraordinarily knowledgable photographer who was always eager to help. But I hope that this is somehow honoring to him. Writing this article has been difficult for me, because of John’s passing. Sadly, before that happened, John Sevigny died on November 9th, after suffering a massive stroke. They had intended to share this new Recipe with everyone, but were waiting until after the finishing touches were complete on a book that John was intending to publish. Anders and John collaboratively made the Kodak T-Max P3200 Recipe. Over the last several years, Anders has made a number of Film Simulation Recipes that have been published on Fuji X Weekly, including Kodak Tri-X 400, Ilford FP4 Plus 125, Ilford HP5 Plus 400, Ilford Pan F Plus 50, Kodak Gold v2, seven Fujicolor Pro 160NS Recipes, and seven Fujicolor Pro 400H Recipes. I received an email from Anders Lindborg back in November, and the subject line read, “The Last Roll.” Anders explained to me that himself and John Sevigny had co-created a Kodachrome 64 Film Simulation Recipe based on Steve McCurry’s last roll of Kodachrome film, which was (as you likely know) famously developed on July 12, 2010, at Dwayne’s Photo in Parsons, Kansas. ![]() I’m sure that you can also use this Recipe on newer GFX cameras however, I don’t have any personal experience with that, and I’m sure it will render slightly different (again, give it a try, as you might like it). ![]() Technically it is compatible with X-Trans V models, but, because X-Trans V renders blue more deeply on some film simulations, it will look slightly different (try it anyway!). ![]() This Kodak Emulsion Film Simulation Recipe is compatible with all “newer” X-Trans IV cameras (X-Pro3, X100V, X-T4, X-S10, X-E4, and X-T30 II), but not the X-T3 or X-T30. While I used my Fujifilm X100V to capture these pictures, if I were to choose an interchangeable-lens model paired with vintage glass, I’m certain it would be even more convincing. I bet you could convince some people that you actually shot with film, and not a modern digital camera. I was trying to replicate the aesthetic of some Kodak ColorPlus 200 film scans that someone shared with me, but I was unsuccessful however, in the process of failing, I discovered these settings, which are absolutely great!Įven though this Recipe doesn’t accurately mimic any specific emulsion (as far as I’m aware), it still looks very analog-like, and highly reminiscent of a few different Kodak negative stocks. I love this new Kodak Emulsion Film Simulation Recipe, even though it was a happy accident.
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